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Capture One is a professional RAW converter offering you ultimate image quality with accurate colors and incredible detail from more than high-end cameras — straight out of the box. It offers state-of-the-art tethered capture, powerful digital asset management, extensive adjustment tools and a flexible workflow.
With an updated processing engine, market-leading performance and powerful new features, Capture One is the professional choice in imaging software. You get the highly responsive precision tools you need to create stunning images from your camera’s RAW files in a time-saving workflow that can be customized to fit your needs. Note: Listed price is an amount per month for one camera when billed annually. More info here. Discover New Mac Apps. Save money with MacUpdate Shop. Sign in Create account.
Capture One. Download Capture One for Mac RAW workflow software. Follow this app Developer website. What is Capture One for Mac Capture One is a professional RAW converter offering you ultimate image quality with accurate colors and incredible detail from more than high-end cameras — straight out of the box. Version Other: Capture One 21 Apple and Microsoft have made updates to their architecture and we can no longer maintain firewire tethering support on ARM and Intel based computers from Capture One 21 It will still be possible to use Capture One 21 Users will no longer be able to view, edit, or export to these formats.
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Pik80 Dec 21 I was quite happy with version 12 and Dehaze is kind of nice but I don’t know how much I would have a use for it. I wrote up a long list of feature requests I expect at least a couple will get added.
Gary30 Dec 10 They are going with the same model as Adobe. Now I’m a Photoshop customer again. I always found C1 a little bit fiddly and unintuitive. And now they are showing me the door and kindly holding it open.
I ain’t shook; in fact, if it’s gonna be like this, fine. Macfoto Oct 16 I remember my first photo lab: enlarger, chemicals But missing some tools! Suricate15 Jun 14 A lot of other applications, cheaper too, are able to do a successful work with photos, but the question is also “how” and with which ergonomic environment..?
Here is C1 with this Only for very special tools you’ll need Adobe PS, actually as for all other photo applications. The only unfavorable point I have to admit is the high price, upgrade price from older releases too. That’s the reason for the fifth missing star. Bobthevisitor Jun 13 Very good image quality developing raw files and very good tools to fine-tune your results. In my opinion the best raw developer I came across and worth every cent of its admittedly high price.
Their decision to deprecate Media Pro after they bought it, and milked upgrades is unconscionable. Unfortunately Capture One doesn’t provide tether capture for Olympus Cameras. Meister-Fritz Jan 29 The price of Capture One is truly unconscionable. Most software vendors would grant new customers an upgrade if they purchased software within 60 or 90 days. As a recent customer I requested an upgrade explaining that I was just beginning my migration planning from Aperture.
My request was rudely denied. The software seems to be OK, I’m still trying to figure out how to handle some deficiencies in CaptureOne compared to Aperture. There is a steep learning curve for CaptureOne, especially in how to migrate large photo libraries with extensive meta data. The customer policies and empathy at CaptureOne are focused on short term revenue, not customer satisfaction.
They don’t seem to value establishing long term customer relationships. Visible-Evidence Nov 22 You find yourself waiting for the app to catch up constantly. Actually processing an image is straightforward enough, and the end result is nicely processed. I personally find the brushes to be a little loose, although I suppose you could learn to live with it, like driving a car with a dodgy clutch.
FYI, the software in question is now at v 9. A rather long foreword: I’ve been using Aperture until its dying day, resisting Adobe “bloatware” and licensing policy like a lone samurai left on the battlefield surrounded by enemies: I then bit the bullet the sword?
I would like to stress that I do not earn my living by photography and therefore have less stringent demands than most professionals. This has been my setup for the last 16 months, and I was quite pleased with it.
Then, out of sheer curiosity, I tried CaptureOne. C1 has one huge advantage – its RAW processing engine easily beats anything out there. No questions. Full stop. Its colour correction is the easiest to use and the most natural looking, unless you want to go mad with it – but even then you’ll be pleased with the results. Noise reduction is perfectly adequate – in most complicated cases DxO “Prime” technology is better, but you can still tell NR has been applied, and let’s be honest, with modern cameras’ low light performance you’d rarely need to apply massive amounts of noise reduction.
Sharpening is excellent if you’ve got decent raw material read “decent lens and steady hands” and just about passable if you haven’t, but then it’s your fault: C1 has one huge disadvantage – it does not happily integrate with other software. And it’s not a good news, because its cataloging system is not in the same league as LR6, although not as appalling as in previous versions. Confusing Catalogs and Sessions although I see the pro’s logic behind that , switching between catalogs takes forever and in rare instances can hang the programme.
Cataloging options are many, but not as extensive as LR6 or PhotoMechanic. IPTC is supported, but again, not to Adobe’s standard. On a sweeter note, you do get hierarchical nested keywords – finally! Then there’s plugin support, of which there’s none. I use Nik and Macphun by a bucketload, and having standalone versions is a godsend – C1’s “Edit in Kinda like a plugin.
But try to send two or more files to a HDR editor – and it returns So you can integrate some other apps into your C1 workflow, but you can’t easily integrate C1 into anything else, in my case LR6. There are workarounds and roundtrips from LR6 to C1, but to me they seem a bit too clumsy, and by doing so you separate your original RAW files from the resulting DNG files, which means more external HDs by the day.
You can import your LR6 catalogs into C1 and even retain a few basic adjustments you’ve made in LR6, but not many. You can also import your keywords from any text file, and – die, Adobe! So here’s my dilemma: image quality or convenience in cataloging and post-processing? I’ve setup a separate HD for use with CaptureOne trial no restrictions, good for one month and over the next few weeks will try to get used to C1’s catalogs and other quirks, and if anyone’s interested I’ll report back once there’s more to report.
At the moment CaptureOne gets 4. I can replicate the results in DxO fairly closely, but not quite, especially on less straightforward shots.
The excitement can wear thin though, especially if my struggle with catalogs ends in disaster Bousozoku Mar 5 This is as close to perfect as I will ever see, most likely. This is a great usage enhancement. I updated. One of the main features for me is the quality of the output.
Capture one pro 12 for sony review free download. Capture One Free
Having been a long time user of Lightroom, Usnea investigates the pros and cons of making the switch to Capture One Pro. We live in a world where Adobe Lightroom is the industry standard for serious photographers, and many of us have used it for years. Now that Adobe products are available only by subscription, many photographers are looking for an alternative. OnOne and Luminar are both looking for their share of the market, but Capture One Pro has long been the best professional Lightroom alternative , and many photographers are now turning to it.
My long background in Lightroom and Photoshop make me a bit of a hard sell. Capture One is a professional-grade photo editing software designed for pros and serious enthusiasts. It was first created with tethered image capturing in mind, but quickly branched out to a more full-fledged image processing program.
Now it offers exceptional RAW image file processing, image cataloging, layers, local adjustments, keystone adjustments, as well as just about all the features one would expect out of a pro image editing app.
The paid versions all have a free day trial period, and I highly recommend you use this to have a play around. There are several versions of Capture One, each with various other options to choose from, which can make the initial download process rather confusing.
See latest price here. Even if you own Sony or Fujifilm cameras see below your best best is to download the free trial of the full version of Capture One Pro 12 here, with support for over different cameras. In Capture One Pro, there are plenty of options when right-clicking.
Every program takes some getting used to, and Capture One is no exception. Instead, everything sits in one interface and you toggle through buttons to change functions. Right-click options and short-cuts abound, and like Photoshop many of the tools have a number of other options when you right-click on their buttons.
Here the film strip is on the bottom, similar to a Lightroom layout. Making the transition from Lightroom? Simply put your filmstrip on the bottom panel and the adjustment panels to the right. You can even assign the same keyboard shortcuts to Capture One Pro as you use in Lightroom. This is particularly awesome if you have an established workflow and know what you use the most.
All this being said, the high learning curve often has me frustrated. Simple things like renaming files or switching from grid to single image view are different in Capture One and they all take some getting used to. Capture One Pro is feature-rich with just about everything a photographer needs in an editing app. As far as photo editors go, there are a couple of places where Capture One just rocks it. Here are a few of the other advantages of using Capture One Pro over Lightroom, or most of the other image editing softwares out there:.
Each brand has their own special recipe for rendering RAW files, but Capture One has long been known for being exceptional. Take a quick look at the video below to see how the photographer uses Capture One Pro to edit high-end fashion portraits. As far as the level and selection of standard adjustment tools are concerned — exposure, contrast, shadows, highlights, white balance, and so on — Capture One is up there with the best.
Some things are done differently, however. To edit straight-up saturation you need to go to another tab. Capture One Pro comes with an excellent Keystone adjustment. Pro only, not Express. There are plenty of useful autocorrect options for just about every tool, and these work better than my version of Lightroom. The auto levels adjustment seems particularly spot on. The Express version is obviously a bit more limited.
Capture One has these too. When you use layers in Capture One Pro , you can make targeted adjustments to your photos and still use the majority of the image editing tools available, not just the ones in a given tool. This is a huge benefit for those who like a fine level of control over photo manipulation.
For mask creation you can paint them in manually, create a linear gradient mask, or a radial gradient mask similar to Luminar, actually.
It also offers a feathering tool and edge refinements. The Luma Range feature in Capture One Pro is a particularly useful way of selecting areas of an image. Everything from Levels to Color Balance tools work in layers, and you can adjust the opacity of each edit layer — something that can only be done by way of a third party plugin in Lightroom see these Lightroom Tips for more info.
This latest version of Capture One Pro 12 now has luminosity masks. From there you can adjust the affected color range, hue, saturation and lightness. The 3-Way option even lets you adjust the color tint separately in the shadow, midtone and highlight areas. Do you want to affect the blues in your photo, but not the blue-greens? Need to smooth out the skin tones? No problem.
Simply choose the Skin Tone tab, select a color range, and adjust the uniformity sliders. The Express version just has the Basic tab. However, if you want to have complete control over your color , Capture One certainly wins hands down over Lightroom and everyone else in the same niche.
If you shoot in a studio, odds are you know the value of shooting tethered. Most studio photographers who shoot tethered already use Capture One. Tethering features in Capture One Pro makes it the obvious choice for studio photographers. With it you can control just about everything via the tether, including details as particular as the flash curtain sync mode.
If you were ever thinking of shooting tethered, Capture One is the editing software to try first. It also just looks better — almost on par with Photoshop which is where I usually do my more difficult spot healing.
If you send your work off to an editor or work with a team, Capture One Pro has an annotations feature that makes collaboration much easier. Definitely helpful for collaborative editing or sending an image with notes off to a client. Capture One allows you to organize according to your photography sessions instead of of using the catalog. Many say that Capture One actually outperforms Lightroom in terms of both speed and stability.
There are several Styles available by famous photographers, helping you emulate their color grading. One of the huge benefits of using Fujifilm X-series camera are the built-in film simulations like Acros, Classic Chrome, Velvia etc. Capture One 12 now adds the ability to change the starting point of your editing to one of the film simulations, as Curves within the Base Characteristics Tool.
There are a few places where Capture One falls short. For those of us who use them regularly, this could be an issue. Into Nik or Topaz filters? No go. Use any of the fantastic portrait packages out there?
Too bad. Capture One only has a few third-party plugins and no ability to do HDR or panoramas. No fun. One thing new in version 12, though, though, is export plug-in support. The history panel is a tool I use often. While Capture One lets you undo edits and easily reset adjustments more easily than Lightroom, actually , not having a history panel really cramps my style.
There are workarounds, like creating a number of clone variants, etc. One of these is that when I rename a file, it moves to somewhere else in the catalog, which can get annoying when trying to compare a series of photos.
This bothers me, as it forces me to go to another program if I need one. There are also no online sharing options, which will definitely affect some folks. The bottom line? Studio photographers might also choose to organize by sessions rather than the catalog. Also, if you need precise and powerful keywording options, Lightroom has this part nailed. However, you are able to buy Capture One Pro 12 outright, which is more than we can say for Lightroom….
Disclaimer: All recommendations are impartial and based on user experience, with no bias to the products or the brand. The products in this post may contain affiliate links. Usnea Lebendig is a travel and landscape photographer who loves trekking in the wilderness, exploring other cultures, and using photography for social activism.
Capture One Review. Last Updated: July 3, Highly Recommended. See More Reviews. Check current price. Twitter 20 Facebook 2 Pinterest Usnea Lebendig.
Capture One 12 Pro Released – Sony Addict.Discover Capture One (for Sony)
The ultimate photo editing software for Sony cameras. · Bring your Sony photos to life · Take creative control · Images look better than ever · Stay on top of. Even if you own Sony or Fujifilm cameras (see below) your best best is to download the free trial of the full version of Capture One Pro